anjarau:words
Pragmatische UX
IA Konferenz 2013, Berlin, 2013
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Branded Community – Aufbau und Betrieb von Communities im Social Web als Marketing-Konzept (w/ Giuseppe Fiordispina, Michael Willeke)
Community & Marketing Summit 2.0, Hamburg, 2010.
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Loyalität kann man nicht buchen
beef 1/2009, p. 95.
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These Waves of Bugs
Mark Bernstein, Diane Greco (eds.): Reading Hypertext, Eastgate 2009.
> buy the book
Usability Monitor 2008: Von Google bis zur Antragsstrecke.
Hrg. Syzygy Deutschland GmbH, Bad Homburg, 2008. (Artikel / paper, DE)
> website Syzygy GmbH
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Ingame Advertising (w/ Sabine Raffel)
Leitfaden Online-Marketing (Hrsg.): Leitfaden Online-Marketing, 2008.
> buy the book
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BlueMars Intranet-Relaunch nutzt Web-2.0-Techniken (w/ Tobias Kirchhofer)
Frank Martin Hein (Hrsg.): Elektronische Unternehmenskommunikation, Deutscher Fachverlag, 2007.
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Erfolgsfaktoren von Online-Communities
DMMK Digitale Strategien, Stuttgart, 2007 und Zweite Wissenschaftliche Konferenz des DDV, Frankfurt, 2007.
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‘Ganz gut’ ist nicht gut genug. Professionelle Websites helfen neue Märkte erschließen (w/ Layla Keramat)
Kommunikationsverband (Hrsg.): Business-to-Business, Varus Verlag, 2005.
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Germans at Play
gamestudies, 2004.
> read online
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Shuffle My World
TEKKA Vol. 3 No. 2, 2005.
> read online
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Spam Will Eat Itself (w/ Mark Bernstein)
TEKKA Vol. 2 No.1, 2004.
> read online
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EyeToy – Update: Groove.
TEKKA Vol. 2 No. 1, 2004.
> read online
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Das Spektakel beginnt, außer Kontrolle zu geraten.
Telepolis
> read online
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Art – Books – Advertising.
TEKKA Vol. 1 No. 4, 2003.
> read online
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BlogTalk: Let’s Talk. Interview With Oliver Wrede.
TEKKA Vol.1 No. 3, 2003.
> read online
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Breve compendio de escrilectura (o como apreciar la narracion hipertextual).
Maria Jose Vega, ed. Literatura hipertextual y teoria literaria. Trans. Pilar Alvaro and Maria Jose Vega. Madrid: Mare Nostrum Communicacion, 2003.
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Boxing Digital Art: a Review of Interfictions by Roberto Simanowski.
Online: TEKKA Vol. 1 No. 2, 2003.
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Denim.
TEKKA vol. 1 No. 4, 2003.
> read online
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Excuse Me, But Do You Have the Shortcut-Key to the Restrooms?
TEKKA Vol. 1 No. 1, 2003.
> read online
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I’ve Seen the Future – and It’s Wearing a Woolly.
Online: TEKKA Vol. 1 No. 3, 2003.
> read online
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La TV Pour la TV – Trip Report from the Lange Nacht der Medienkunst in Baden-Baden, 2nd Nov. 2002.
TEKKA Vol. 1 No. 1, 2003.
> read online
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Serial Reader: How the Internet Caters to Reconfigured Reading Habits. (reviews of Pepys Diary, The Dark Nile and Blue Company)
TEKKA Vol. 1 No. 1, 2003.
> read online
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Some Hyperfictions I’d Like to Mention: Confessions of a Binge-Reader.
Online: TEKKA Vol. 1 No. 1, 2003.
> read online
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SWITCH – It’s Never As Good As the First Time.
TEKKA Vol. 1 No. 3, 2003.
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(Un)Easy Listening – Anne Bösenberg and Hanna Linn Wiegel’s Gerne zuschauen.
TEKKA Vol. 1 No. 2, 2003.
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Weblog Lib: How to Reconfigure Writing the Hands-On Way.
TEKKA Vol. 1 No. 4, 2003.
> read online
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Hyperfiction Review: Forward Anywhere and Califia.
ECi Vol. 2 No. 1, 2002.
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Website www.game-culture.com – ein Website-Review.
Dichtung Digital, 2002.
> read online
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“Workshop Time and Space in Interactive Media for Children” – A Field of Its Own: To Study Computer Games as an Independent Genre.
Dichtung Digital 2002.
> read online
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All Your Game Are Belong to Us: How Advergaming Took the Play Out Of Online-Games.
Playing With the Future: Development and Directions in Computer Gaming. Manchester, UK, 2002.
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Games With an Agenda: When Is a Game Not a Game or: a Game Is a Game Is a Game. (w/ Susana P. Tosca and Simon Egenfeldt-Nielsen)
Panel at Playing With the Future: Development and Directions in Computer Gaming. Manchester, UK, 2002.
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Studie zur Vermarktung der Riester-Rente auf den Websites der 100 größten deutschen Banken und Versicherer
mediaman, Mainz, 2002.
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DAC 2001: Eine Konferenz-Rezension.
Dichtung Digital 2001.
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Konferenzbericht Computer Games and Digital Textuality.
Dichtung Digital, 2001.
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Reload – Yes/No – Clashing Times in Graphic Adventures.
Proceedings of Computer Games & Digital Textualities. IT University of Copenhagen. 2001.
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Time in digital fiction: Some temporal strategies of adventure games.
KODIKAS/CODE: Ars Semeiotica. An International Journal of Semiotics. Friedrich W. Block, Christiane Heibach and Karin Wenz, eds. Vol. 24 No. 3/4.Tübingen: Gunter Narr Verlag, 2001.
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Web/Fiction/Design: Ein kurzer Beta-Test der diesjährigen Preisträgerin des ELO Awards, These Waves of Girls von Caitlin Fisher.”
Wreader’s Digest – How to Appreciate Hyperfiction.
JoDI – Journal of Digital Information, Vol 1, Issue 7, 2001.
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Reload – Yes/No.
Computer Games and Digital Textuality, Copenhagen, Denmark, 2001.
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Timing and Temporality in Digital Literature.
Digital Arts and Culture, Providence RI, USA, 2001.
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Zeit und Raum in Adventure Games.
Explorativer Workshop “Raum und Zeit in interaktiven Kinder- und Jugendmedien”, Zürich, Schweiz, 2001.
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HT2000 Writer’s Workshop: Talk About Writing (w/ Susana P. Tosca)
Wordcircuits, 2000. (Artikel / paper, EN)
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HYPERTEXT 2000: Ein eher subjektiver Konferenzbericht.
Dichtung Digital 2000. (Artikel / paper, DE)
> read online
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Patchwork Girl und Action Heldin – Frauenbilder in digitaler Literatur.
Renate von Bardeleben, Ed. Frauen in Kultur und Gesellschaft: Ausgewählte Beiträge der 2. Fachtagung Frauen-/ Gender-Forschung in Rheinland-Pfalz. Tübingen: Stauffenburg, 2000.
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What you click is what you get? – Die Stellung von Autoren und Lesern in interaktiver digitaler Literatur.
Berlin: dissertation.de, 2000.
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Time in Digital Fictions: Some Temporal Strategies of Adventure Games.
Ästhetik digitaler Literatur, Kassel, Deutschland, 2000.
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HT2000 Writer’s Workshop: Talk About Writing (w/ Susana P. Tosca)
ACM Hypertext 2000, San Antonio, Texas, USA, 2000.
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Authors, Readers, and Texts – Digital Fiction in the Context of Contemporary Literary Theory.
Peter J. Nürnberg, Ed. ACM Hypertext ’99 Doctoral Consortium Final Report New York: ACM, 1999.
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Conference Report: Hypertext ’99 – Returning to Our Diverse Roots (w/ Nadja Gernalzick)
Amerikastudien/ American Studies Mainz, 1999.
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Hypertext’99 doctoral consortium report (w/ Niels Olof Bouvin and William Cole)
ACM SIGWEB Newsletter. Vol 8 No. 2. New York: ACM, 1999.
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Rezension von Beat Suter und Michael Böhler (Hrg.) hyperfiction.
Dichtung Digital, 1999.
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Rezension von Nina Hautzingers Vom Buch zum Internet? Eine Analyse der Auswirkungen hypertextueller Strukturen auf Text und Literatur.
Dichtung Digital 1999.
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Towards the Recognition of the Shell as an Integral Part of the Digital Text.
Proceedings of Hypertext’99. Ed. Klaus Tochtermann et al. New York: ACM, 1999.
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Where the Digerati Meet the Literati – Einige Gedanken zur Anwendbarkeit von computerspezifischen Konzepten auf das Schreiben literarischer Texte.
Hipertulia 1999.
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Lo digital se acera a lo literario. Notas sobre la aplicacion de conceptos informaticos a la ascritura de textos literarios.
Hipertulia 1999. Trans. Susana P. Tosca.
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Patchwork Girl und Action Heldin – Frauenbilder in digitaler Literatur.
Hipertulia 1999.
> read online
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Patchwork Girl y las heroinas de accion – La imagen de la mujer en la literatura digital.
Hipertulia 1999. Trans. Susana P. Tosca.
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Towards the Recognition of the Shell as an Integral Part of the Digital Text.
ACM Hypertext’99, Darmstadt, Germany, 1999.
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Patchwork Girl und Action Heldin – Frauenbilder in digitaler Literatur.
2. Fachtagung Frauen-/ Gender-Forschung in Rheinland-Pfalz, Mainz, Deutschland, 1998.
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“I attempted to create a boat by writing it into this world.” — Adventure Games on the Computer in the Context of Postmodern Concepts of Literature.
PGF, Marburg, Deutschland, 1997.
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